| Daniel Hesidence approaches his practice as a | | | | gesture form a physical representation of the |
| philosophical totality. Situating himself as the inventor of | | | | intangibility and impermanence of thought. |
| an ever-expanding universe, Hesidence’s individual | | | | Embracing painting as an unlimited form of expression, |
| pieces provide mere glimpses into a creative infinite. | | | | Daniel Hesidence’s works describe a means of |
| Composing his work in ‘volumes’, | | | | sub-language communication, something primal and |
| Hesidence’s paintings document a self-propelled | | | | emotive that exceeds linguistic structure. |
| evolution. Each canvas is distinct yet interconnected, | | | | Hesidence’s style ranges from figuration to |
| holding its own place in his ‘cosmological’ | | | | abstraction, but his subject matter is always what lies |
| timeline. Untitled is indicative of Hesidence’s stream | | | | beyond the surface. Ranging from dense impasto to |
| of consciousness process. Emerging from the blank | | | | delicate washes, frenzied brushmarks and disquieting |
| white canvas, impassioned smears of colour form a | | | | voids, Hesidence’s refined techniques transform |
| halo around a suggested figure. Rather than defining | | | | reticent sentiment into tactile physicality. Mapping out |
| an image, Hesidence uses the malleable qualities of | | | | the idyllic meanderings of cerebral terrain, Untitled’s |
| paint to portray an emotional and psychological state. | | | | colourful fantasia playfully conveys amorphous vitality |
| Distant and dream-like, the intricacies of sentient | | | | with an aura of pastoral calm. |