| Degas is best known for his depictions of the ballet | | | | The Cotton Exchange at New Orleans, later |
| and the racecourse, which he produced in a variety of | | | | purchased by a museum during his lifetime. |
| media. Although Degas participated in most of the | | | | In 1874 Degas joined the group of artists that came to |
| Impressionist exhibitions, his fascination with rendering | | | | be known as the Impressionists. The group, which |
| the human body in motion and his preference for | | | | included Monet, Cezanne, Pissarro, Sisley and Morisot, |
| working in his studio, sets his work apart from the | | | | organized alternative exhibitions that were open to all |
| other Impressionist painters. | | | | and did not have a jury to assess the works. Although |
| Edgar Degas was born in Paris, France. His father | | | | Degas participated in all but one of them, he objected |
| was a wealthy banker and his mother was an | | | | to being classified as an Impressionist. |
| American from New Orleans. His family supported his | | | | By the 1880s, Degas was working mainly in pastels, a |
| ambition to be a painter and after leaving school he | | | | medium which allowed him to express his mastery of |
| enrolled in the Ecole des Beaux-Arts in Paris, studying | | | | drawing in vibrant colors and simple compositions. |
| under Louis Lamothe, a disciple of the French | | | | These expressive works are considered to be the |
| neoclassical painter Ingres. In 1855 Degas met Ingres, | | | | artist’s finest. |
| who instilled in the young artist the importance of | | | | Degas firmly believed that a painter should dedicate |
| drawing, and it was during this period that Degas | | | | himself totally to his art, and therefore could have no |
| developed the clear, strong outlines that would later be | | | | personal life. For that reason, he never married and, as |
| the prominent feature of his works. | | | | the years ticked by, he became isolated. His eyesight |
| In 1856 Degas went to Italy, where he stayed until 1859, | | | | began to fail and he turned to sculpture. His subjects |
| copying works by Renaissance masters. When he | | | | continued to be ballet dancers and he tried to freeze |
| returned to Paris, he copied paintings in the Louvre and | | | | their movements in his works. The sculptures were |
| it is while he was copying a Velasquez painting that he | | | | abandoned in his studio, to be cast in bronze only after |
| med Edouard Manet, who would influence the young | | | | his death. |
| Degas to paint contemporary subjects. | | | | In 1912 Edgar Degas was forced to leave his |
| Degas exhibited a number of historical paintings in the | | | | residence due to a demolition order on the building. He |
| annual Paris Salon until the late 1860s when, under the | | | | stopped working due to poor eyesight and during the |
| influence of other avant-garde artists of the day, his | | | | last years of his life he wandered the streets of Paris, |
| art shifted from the classical, romantic style to | | | | a lonely, friendless old man who was almost blind. |
| depictions of modern, everyday life -- theatrical scenes | | | | Degas died in Paris on September 27, 1917. His funeral |
| captured in spontaneous motion. He rendered his | | | | went almost unobserved and unattended. During his |
| subjects in bold brushstrokes and expressive colors | | | | lifetime his work had been both admired and ridiculed. It |
| influenced by Japanese prints. His new subject matter | | | | was only after his death that the true stature of |
| included ballet dancers, launderesses and racecourse | | | | Degas’ work was recognized. |
| scenes, with the emphasis placed on movement and | | | | You can find a wide collection of Edgar Degas paint |
| purity of line, capturing a fleeting moment of | | | | by number patterns at the Segmation web site. |
| spontaneous motion. In this sense, he was a precursor | | | | These patterns may be viewed, painted, and printed |
| of the snapshot in modern photography. | | | | using SegPlay™PC a fun, computerized |
| During the Franco-Prussian war of 1870 Degas took | | | | paint-by-numbers program for Windows 2000, XP, and |
| part in the defense of Paris and in 1872 he went to | | | | Vista. |
| stay with his brother in New Orleans. There he painted | | | | |