| France’s most famous naïve painter was born | | | | of his childish mentality. The defence counsel’s |
| in 1844, the son of an ironmonger. At school, Rousseau | | | | strategy worked, and Rousseau received a |
| was a poor student and failed most of his exams. By | | | | suspended sentence. |
| the age of 19 he found work as a clerk in a | | | | Rousseau died in 1910 at the age of 66, and was |
| lawyer’s office, until he was sacked for stealing | | | | buried in a pauper’s grave. Few of his drawing |
| stamps, and imprisoned for a month. | | | | survived; his family disposed of most of them after his |
| In an effort to redeem his standing, Rousseau joined | | | | death! |
| the French Infantry. After 5 years, he left the army, | | | | Rousseau’s lifelong desire was to paint in a precise |
| moved to Paris, and found work with the Customs | | | | and realistic style, but he lacked the necessary skill and |
| Office. His job was to check carts for smuggled | | | | training. In his paintings, the conventions of perspective, |
| goods at the city gates. His duties were limited due to | | | | proportion and illumination were ignored. Rousseau liked |
| his lack of capability. At the age of about 27, | | | | to paint animals, and copied photographs from books |
| Rousseau started to paint and draw in his spare time. | | | | using a pantograph. He could not paint feet, so always |
| In 1885, some fourteen year later, Rousseau made his | | | | placed his subjects ankle deep in grass. To prevent |
| public debut as an artist, and exhibited two pictures at | | | | the need to create an impression of depth, he often |
| the “Salon des Artiste Independents”, an | | | | painted a profusion of vegetation. |
| exhibiting society formed by avant-garde artists who | | | | Rousseau’s most famous painting is possibly |
| were unable to gain acceptance at the “Salon des | | | | “the Sleeping Gypsy”, for which he drew |
| Artistes France”. Visitors mocked and laughed at | | | | inspiration from Gerome’s fabulous “Two |
| Rousseau’s paintings, but undeterred, he continued | | | | Majesties”. Rousseau offered to sell his painting to |
| to exhibit each year. | | | | the mayor of his hometown, but the mayor declined |
| At the age of 59, Rousseau retired from his Customs | | | | the offer, and the painting was discovered 25 years |
| Office job, and dedicated himself to painting. At about | | | | later in a plumber’s workshop. |
| this time, he struck up a friendship with the writer | | | | Rousseau was indifferent to the works of the |
| Alfred Jerry, who acted as his publicist, and introduced | | | | progressive avant-garde artist around him, finding their |
| Rousseau to a new circle of contacts, including | | | | paintings too unfinished. Paradoxically, these artists |
| Gauguin, Toulouse-Lautrec, Degas, and latterly Picasso. | | | | became appreciators of Rousseau’s work, and |
| Rousseau painted a portrait of Jerry, who destroyed it | | | | were instrumental in his posthumous recognition as a |
| by using the picture for pistol target practise! | | | | great painter. In his work they saw the beginnings of |
| Rousseau’s new friends found his naivety, and | | | | Surrealism, and took pleasure in the childlike quality of |
| gullibility amusing, and he was subjected to a number | | | | his pictures. |
| of pranks, such as falling for a story that the President | | | | For my part, I can admire Rousseau for his dedication |
| of France had invited him to a grand reception. | | | | and effort. I cannot admire his artistic ability, because |
| Rousseau turned up at the gates of the Elysee | | | | he was an adult painting like a child (in the same way |
| Palace, only to be turned away. At the age of 63 he | | | | that I can draw little gratification from a childish book). |
| was arrested for fraud, because an acquaintance had | | | | Rousseau believed that his paintings were stylised, yet |
| persuaded him to open a bank account in a false | | | | highly realistic representations, and their surrealistic |
| name for the purposes of embezzlement. At his trial, | | | | worth is entirely accidental. That doesn’t make him |
| Rousseau’s paintings were presented as evidence | | | | a great artist. |